{"title":"Damian Ortega（ダミアン・オルテガ）","description":"","products":[{"product_id":"damian-ortega","title":"Damián Ortega No. 17","description":"\u003cp class=\"p1\"\u003e \u003cspan class=\"s1\"\u003e\u003cb\u003eDamian Ortega\u003c\/b\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan class=\"main-heading\"\u003eNo. 17\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e \u003cspan class=\"s1\"\u003e\u003cb\u003e》\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p2\"\u003e \u003cspan class=\"s1\"\u003eAuthor:\u003cmeta charset=\"utf-8\"\u003e Center National d'art et de culture Pompidou \/ Musée national d'art moderne (Paris) \u003cspan\u003e,\u003c\/span\u003e Christine Macel \u003cspan\u003e,\u003c\/span\u003e Anna Hiddleston \u003cspan\u003e,\u003c\/span\u003e Sinziana Ravini\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p3\"\u003e \u003cspan class=\"s2\"\u003ePublication\u003c\/span\u003e \u003cspan class=\"s1\"\u003e:\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e Pompidou Centre Edition\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e \u003cspan class=\"s3\"\u003eSize\u003c\/span\u003e \u003cspan class=\"s1\"\u003e: 170mm×220mm×10mm\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p5\"\u003e \u003cspan class=\"s1\"\u003eYear of publication: 2008\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p5\"\u003e \u003cspan class=\"s1\"\u003eNumber of pages: 104\u003c\/span\u003e \u003cspan class=\"s4\"\u003epp\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e \u003cspan class=\"s3\"\u003eLanguage\u003c\/span\u003e \u003cspan class=\"s1\"\u003e: Français, English\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p5\"\u003e \u003cspan class=\"s1\"\u003eCondition\u003c\/span\u003e \u003cspan class=\"s4\"\u003e: A-\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p5\"\u003e \u003cspan class=\"s1\"\u003eThe binding shows some wear, but otherwise it is in near new condition.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e \u003cspan class=\"s1\"\u003eBinding shows minor wear and tear but otherwise in fairly new condition.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p2\"\u003e \u003cspan class=\"s1\"\u003eContent\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p4\"\u003e\u003cspan class=\"s1\"\u003e__________________________________\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e Center Pompidou, Musée national d'art moderne, Paris, 13 novembre 2009 \u003cem\u003e-\u003c\/em\u003e 9 février 2009.\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePour l'Espace 315, Damián Ortega crée une installation qui fonctionne comme une camera oscura. découvrir, derrière une cimaise au fond de la salle, l'installation à travers une lentille...\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e Published to coincide with Damian Ortega's exhibition \"Champ de vision\", running from November 13, 2008 to February 9, 2009 at Espace 315, Centre Pompidou, Paris.\u003c\/p\u003e\n\n \u003cp class=\"p4\"\u003eFor Espace 315, Damián Ortega has created an installation that functions like a camera oscura. True to his principle of fragmenting and dispersing forms in space, he invites visitors into a space with around 6,000 coloured modules suspended from the ceiling, to discover the installation through a lens placed behind a picture rail at the back of the room...\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e \u003cspan\u003ePublished to coincide with Damián Ortega's exhibition \u003cem\u003eChamp de vision\u003c\/em\u003e in the Espace 315 at the Center Pompidou Musée national d'art moderne, Paris, 13 November 2008 - 9 February 2009.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p4\"\u003e\u003cspan\u003eFor Espace 315, Damián Ortega has created an installation that functions like a camera obscura. True to his principle of fragmenting and dispersing forms in space, he invites visitors to enter a space where some 6,000 colored modules hang from the ceiling, before discovering the installation through a lens behind a picture rail at the back of the room...\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p4\"\u003e \u003cspan class=\"s1\"\u003e____________________________________\u003c\/span\u003e\u003c\/p\u003e","brand":"KIKA books","offers":[{"title":"Default Title","offer_id":44484254892208,"sku":"","price":1200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7466\/1552\/files\/docover.jpg?v=1748751475"}],"url":"https:\/\/kikabooks.com\/en\/collections\/damian-ortega.oembed","provider":"KIKA books","version":"1.0","type":"link"}